Prufrock and Other Observations. The fragmentation of the cat could also symbolize the fragmentation of Prufrock’s psyche, the very schism that is leading him to have this conversation, his hope of risk, and his terror of risking his interest in women, and his terror of them. No! Once more, he shrinks away from the challenge of speaking his mind, of speaking to the woman, and continues to destroy his own fledgling self-confidence by creating an imagery in the reader’s mind so absurd that we perhaps start to share in his own view of himself. Alfred Prufrock is not just the speaker of one of Eliot’s poems. And also it’s historical background ?? So how should I presume? Smoothed by long fingers, Asleep … tired … or it malingers, Stretched on the floor, here beside you and me. The initial reception to ‘The Love Song of J. Alfred Prufrock’, by T.S. This fragmentation can also be applied to the earlier reference to ‘the women’, which are not really described in any way, but are instead considered by the sum of their parts in conversation – they only exist because they are ‘talking of Michelangelo’. This is why the poem is so significantly argued over: the very fragmentation that Eliot wrote for it is the wealth of a seemingly inexhaustible source of reasonings. There, readers can understand the speaker’s hope and desire for romantic connection and his struggle to act on that desire. T.S. When the wind blows the water white and black. Please support this website by adding us to your whitelist in your ad blocker. Time for you and time for me, ‘Do I dare / Disturb the universe?’ asks Prufrock, and then reassures himself again that ‘in a minute, there is time’, once more giving his decision a sense of heightened anxiety. Here, Prufrock fantasizes that he has had a change of heart, and gone to speak to the woman at the center of the poem, picturing himself as Lazarus (thus showing both academic and biblical learning) come back from the dead, i.e. And in short, I was afraid. By focusing on ‘there will be time to murder and create, / and time for all the works and days of hands / that lift and drop a question on our plate; time for you and time for me, / and time yet for a hundred indecisions’ he actually creates a nervous, hasty, skittering feeling to the poem. Streets that follow like a tedious argument Lingered upon the pools that stand in drains, It is a variation on the dramatic monologue, a type of writing which was very popular from around 1757 to 1922. Shall I part my hair behind? Should I, after tea and cakes and ices, Have the strength to force the moment to its crisis? Some of the primary themes in ‘The Love Song of J. Alfred Prufrock’ are anxiety, desire, and disappointment. Eliot makes use of several literary devices in ‘The Love Song of J. Alfred Prufrock.’ These include but are not limited to similes, examples of personification, and enjambment. We can see that he knows very well how to speak – in his own mind. The overuse of the word ‘time’ both renders it meaningless, and lends the reader a state of anxiety, that no matter how much Prufrock focuses on time, he can never quite have enough to achieve his goals. Eliot briefly uses a variety of meters, such as the common iambic pentameter and less common spondaic and trochaic feet. T. S. Eliot has used following poetic devices in his poem to make it appealing. Personification can also be found in this piece. J. Hillis Miller had an interesting point to make about the temporality of Prufrock, and whether or not Prufrock actually manages to make himself go somewhere. In the poem The Love Song of J. Alfred Prufrock, it is about a man who is insecure. 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