erin m riley interview

Erin M. Riley – Self Portrait 2, 2015, Hand woven tapestry, hand dyed wool on a cotton warp, 182.9 x 121.9 cm. If you want me to suck your dick, you’ll have to accept that I get my period. And now for the interview. How did the transition come about? “We exist online with the personas we inhabit,” Riley says, “This show is about the things we hide.” You can follow Brilliant Champions and Erin Riley on Instagram: @brilliantchampions, @erinmriley. I am super excited for the opportunity to chat with you a little bit! Where is the role of craftwork in fine art? Your email address will not be published. Masters of their own respective techniques, their aligned work complements each other well, connecting easily with the viewers. Are there any topics that are ‘off-limits’ to you? After seeing something she should not have, having her apartment ransacked, and her bank account hacked, she … This is also true for many of the galleries I show at, tapestries aren’t hung like paintings, hand woven pieces don’t tend to be level which can be visually annoying. I know you told me before but how long does each piece take you, roughly, and do you ever get halfway done with a piece and scrap it? Tomorrow night (May 7th) at Joshua Liner Gallery in New York, Erin M. Riley (interviewed) will be opening a solo show entitled Darkness Lies Ahead.Recently acquiring a two person loom which she is using herself has allowed the Brooklyn-based artist to take her work to a whole new level with her largest works to date – over eight feet wide. AM: Would you be painting the same things if you had taken that up? Why do you choose using images of guns and adult movies rather than flowers or other imagery traditionally seen in tapestry? Something you treasure: I treasure myself, and my work. - 0 Comments. Shocking, honest, Erin’s pieces delve into gender roles and stereotypes much deeper than some are willing to do. Let’s start from the beginning. AM: Having both used yourself as well as photos you have found online or elsewhere as reference, how did the two compare? It’s rare for fibre arts to make you feel slightly {or very} uncomfortable, but that’s exactly what these beautifully woven tapestries do. From painters to photographers to poets, the voice of our moment is often told most aptly and timelessly through what they create. I am really fascinated by how much work goes into each one. 72.9k Followers, 1,631 Following, 2,137 Posts - See Instagram photos and videos from erin m. riley (@erinmriley) About. This is Roy Lichtenstein's pop art painting, Basquiat's brilliantly-chaotic Charles the First painting. Tapestry allows images to be given more time, for hookups to gel, for mistakes to be thought over, its a way to over analyze every detail. Historically tapestry is woven side to side, but I weave bottom to top. Textile artist Erin M Riley weaves internet-native images of women in various states of undress, presenting themselves in sexualized display, and in … Thanks so much! I had been collecting "party girl" pictures for a while but then started getting really disillusioned and was looking for more personal imagery. Established in 2011 in Seoul, South Korea. April 9, 2013. Tapestry is how I feel the most comfortable presenting the images that stand out the most. We're dedicated to sharing "the mindful life" beyond the core or choir, to all those who don't yet know they give a care. “An Interview with Erin M. Riley”, Juxtapoz Magazine, March 10 2015 Tamara Santibanez, “Erin Riley”, Interviews, Discipline Press January 2016: 1-6 Michael Slenske, “Art Talk: Knots Landing”, The Wall Street Journal Magazine September Her work has been featured in magazines and shown at numerous galleries both in her home country of the US as well as internationally. I am taking the time to recreate these images as physical tapestries, because these are the events and objects that are significant to me. During this interview, Westmoreland paused to take a breath. He had just learned one of Riley’s dogs died. Do you do commission work and, if so, how do you approach a piece like that? Your email address will not be published. So as a woman who has been attracted and sexually aroused by women since I can remember, this is a balancing act. Erin M. Riley is a fiber artist who makes powerful large-scale tapestries using a centuries-old hand-weaving process with hand-dyed wool on a floor loom and depicting the complex spectrum of female sexuality–from excitement and fear to pleasure and pain. There are topics that are really difficult that I want to work with but don’t think I could emotionally handle working with for days at a time. (NSFW), Interview: Andrew Beccone - How a library turned into an artwork. Erin M Riley: This work is a combination of reflections on past relationships, experiences I have had as well as those of women who reflect the women around me and their experiences. by the blind architect - December 1, 2012. I particularly like your latest tapestry with the bloody tampons. It is the medium I feel the most connected with. But I come from a vulnerable place, I am bearing my soul to people and am open for dialogue. I was taking them or asking old boyfriends for theirs and presenting tapestries of myself alongside the other women to see how I felt, like could I go through with making these pieces public. Its all opinion, elders in the craft world who are scared of becoming irrelevant are hung up on staying in this royalty position in which “time spent” gives you “street cred.” Young people today are coming across textiles, ceramics, jewelry, etc. I went to art school imagining I would be a painter, but weaving was something that I fell upon, and haven’t stopped doing since. And it's just one of the risqué pieces that Philadelphia-based fiber artist Erin M. Riley has churned out in the past few years. At art college she soon discovered the loom room and weaving seemed to be the perfect technique to make fine art using a textile technique. Erin Riley, an HDPhysiques favorite, is preparing for her first Fitness International, which will take place during the Arnold Classic on March 6-8. © 2012 Arrested Motion LTD. All Rights Reserved. I wrote about her for the first time in 2011, and five years later I finally get to talk to Brooklyn based artist Erin M. Riley… I had A LOT of questions for this very thoughtful, smart, and ridiculously talented woman. That being said, I am interested in discussing hard subjects, and therefore, if I get people’s attention and allow them to reevaluate something in their lives, that’s great. But, I spent most of graduate school trying to figure out how to make mixed media tapestries, dipping, burning, soaking, using many gallons of stuff you buy at Home Depot but inevitably evolved into weaving hand dyed wool tapestries on a floor loom. I really want to understand where you are coming from. I am open about the changes in my work because often it reflects a change that is going on in my personal or sexual life. In grad school, this was a conversation that killed the “crafts department,” which I was part of. These are the realities of life, of my life, I’m not a very optimistic person so flowers aren’t exactly my style. Do you, as a woman, feel you have a responsibility to subvert depictions of the female body? AM: We assume that when you first took up weaving, you started out with creating the more traditional imagery that was associated with the craft. Does the client give you a topic or specific image? How did you first learn to start weaving? Just because something connotes “something a lady does” does not make it negative, that is just the misogyny of the art world in play. Goat and Arrow Recommended for you. Being a woman in today’s society means calculating risk at every turn, every comment, every picture, every “like” implicates us into a greater scheme of judgment. She has taken a look at both her own and the collective consciousness of the individuals of today and laid what she sees for all to witness. This is the conversation that followed. A lot of other artists do similar work to yours by designing it digitally. She makes tapestries addressing the myriad of issues youth, and particularly women, face and the pain that we go through and sometimes inflict upon ourselves. Her textiles are undeniably interesting commentary on today's heavily instagramed sex, drugs, and mostly-dubstep youth culture. Please join us on Pinterest, YouTube or Instagram. It truly sucks growing up surrounded by denial and naïveté, especially when it comes to drug addiction, criminal behavior and the like. This changed in grad school, and in the first year making art on my own I started to completely use found and contemporary images. Most recently, he had a recurring role in the second season of Arrow. " Weaving is just another way to arrange color on a 2-dimensional surface. Having just recently come across Erin’s work, I was full of questions- hard, silly, and serious. In the Studio: Erin M Riley - Duration: 7:13. Normally, he said, losing a family dog would be sad, but an inevitable fact of life. I am open about the drug paraphernalia not because it reflects my own use, but because its something my family members have struggled with. Do you consider yourself an artist and do you think a title such as ‘artist’ is beneficial or restrictive? She creates tapestries depicting occasionally controversial subject matter involving adult movies, guns and drugs. I work from images, so I collect or take photos for an upcoming piece, blow it up to scale, and start a line drawing that will be pinned behind the warp on the loom. I started out working in a more abstract painterly fashion with the yarn because I was just in the beginning stages of learning shading, making shapes, and how to plan for large scale tapestries. People hate dealing with hard subjects. Article by Romily Alice in London // Friday, Jan. 20, 2017. I am an image-maker. I’m a he fan of your New Adult series and both, TRUE and SWEET are one of my favorite New Adult Books. What bugs me about society is that we throw parties for babies, we kiss them and pass them around, but because my partner’s sperm in condoms and I weave them, its somehow different, and grosser. Born in 1985 in Brooklyn, where she still resides, Erin specializes in tapestry, the art of weaving. Joining forces in a mutual exhibition, Erin M. Riley and Lucien Shapiro battle their inner demons side by side. I mainly watch girl on girl adult movies because the likelihood of them doing something that is actually pleasurable to a woman is higher, although there is so much that is just meant to excite men. I reached out to her at the end of 2015. I actually wove a lot of text, large areas of empty where the hand of the weaver is shown, with large block text but was soon challenged to create tapestries and was sourcing imagery from my childhood. I have been weaving for 10 years this year and making representational tapestries for about 8 of those years. HER DANGEROUS MISTAKE ERIN M. LEAF ISBN#: 9781772332493 April 2017 Evernight Publishing www.evernightpublishing.com $4.99 139 Pages Paranormal, Suspense, Erotic, May/December, Shifters/Vampires, Rubenesque Rating: 5 Cups Moira is running for her life. Nowadays, we are much more comfortable self-publishing photographs of ourselves or sending photographs to partners; we are aware of how to take the most flattering photograph and are generally implicit in the sharing. Established in 2011 in Seoul, South Korea. This is not uncommon knowledge. Chauntrice Riley-Stanford joined Pre-Health and Pre-Law Advising in April 2016. I am continuing a series of large works (243 x 243cm) that I started this year and hope to show some of them in 2016. She used to tell me to change my website, so people didn’t have to see fellatio or sperm, but I don’t think she looks anymore. Most things in fine art are made by hand; we all develop our craft and mediums in various ways. As a woman, I feel like I have a responsibility to educate myself on misogyny, feminism, and the sex industries that I engage with. A lot of the imagery has stayed the same, self portraiture, objects of sexuality but in trying to combine two series I have incorporated images into my still lives. The same goes for Erin M. Riley. I have had conversations about cum and blow jobs with women who might never broach those subjects with their own kids, and I have talked about sexting and the images teens take with a father and his two obviously sexually active kids. Most of my questions are quite critical, I think. Projects in 102 countries. Anything interesting that was learned from the process in contrast? EMR: Yes actually, you can look for my work at Paradigm Gallery in Philadelphia, August 30th, in September at Joseph Gross Gallery, University of Arizona and Bryan Ohno Gallery, Seattle, WA. I still had a few days left in the city, so I caught up with this extremely talented and humble artist at her studio in Brooklyn where she basically spends an insane amount of hours buried under tons of wool and cotton. Erin M Riley: Ok, I am Erin M Riley, I grew up in Massachusetts, went to art school at Massachusetts College of Art & Design and moved to Philadelphia once I was accepted at Tyler School of Art for grad school, and for now Philadelphia is where I make my art. Based in Brooklyn, Riley transforms found imagery from the Internet into meticulous hand-woven tapestries. Projects in 102 countries. ... She is also an ambassador for the Australian Indigenous Alpine Sport Foundation. Why did Michael Lin install a complete house on a roof in Shanghai? Is there a better reflection of a culture than the creatives living in it? My friend Mickey told me that his friend, artist Erin M. Riley gave it to him and I should meet her and check out her work. Hey Erin, thank you so much for your time today. Actually, that's just the tip of the iceberg. EMR: I have had many interesting exchanges with people who have seen my work evolve, grow more aggressive or explicit and back again. Your family? Who was Tsang Tsou Choi, the King of Kowloon? I do feel like the market is evolving for textiles, my work is being collected all over the country and abroad, people are coming to me with questions about care, maintenance, etc. I have no idea. Critically, I would say that your work with adult images comes from a place that further upholds the ‘male gaze’. We have interviewed Erin M Riley twice on Empty Kingdom, making this a hat trick, so it is no surprise that she will be gracing the Empty Kingdom Art Show with a few of her pieces. Erin M. Riley – Alone Alone, 2014, Hand woven tapestry, hand dyed wool on a cotton warp, 121.9 x 94 cm, Erin M. Riley – Portrait of a Father 3, 2015, Hand woven tapestry, hand dyed wool on a cotton warp, 61 x 45.7 cm, Erin M. Riley – Three Strikes, 2010, Hand woven tapestry, hand dyed wool on a cotton warp, 91.4 x 63.5 cm, Erin M. Riley – Ultra Thin, 2013, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 81.3 cm, Erin M. Riley – Crimson Landslide, 2013, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 132.1 cm, Erin M. Riley – $20, 2013, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 134.6 cm. I guess I am an artist. Do Ho Suh recreated entire apartment in museum, Yeesookyung’s ceramic vases: Imperfection & surprising results, The 10 best works of Shanghai’s West Bund Art Fair 2019. My work takes from a week to a month to weave, I work 12-14 hour days, every day and I also mix and dye my colors, plus all other prep. I am also showing work in Houston with the West Collection in October and The Bishop Gallery in Brooklyn in November. I don’t look at a crashed car and think it is exciting, nor, as a woman, do I look at a nude photograph on the internet as purely sexual. Your worst habit: But I want to be sexy, I want to be desired and sexually fulfilled, I think my only responsibility is to be conscious of the injustices against women and understand the differences between sexism, exploitation, and sexuality. Yea, I have done a few. Erin M. Riley interview - Nothing is off limits (NSFW) Is there a better reflection of a culture than the creatives living in it? I find the word “craftwork” only to be demeaning because of its connection to women, but I reject that. The images I am weaving are traditionally images that might be sent through Snapchat nowadays, or the ones that might be deleted after a hookup, I try to take pictures of the condoms after I have sex, the pictures I send to people, pictures of tables at parties, substances & liquids that change the coarse of events. 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